Histories, Exhibitions, and Philosophy

Anthes, Bill. Native Moderns: American Indian Painting, 1940–1960. Durham: Duke University Press, 2006.

Bernstein, Bruce and Jackson Rushing. Modern by Tradition: American Indian Painting in the Studio Style. Albuquerque: University of New Mexico Press, 1995.

Besaw, Mindy N. et al. Art for a New Understanding: Native Voices, 1950 to Now. Fayetteville, AR: University of Arkansas Press, 2018.

Brody, J.J. Indian Painters and White Patrons. Albuquerque: University of New Press, 1971.

_____. Pueblo Indian Painting: Tradition and Modernism in New Mexico, 1900-1930. Santa Fe: SAR Press, 1997.

Horton, Jessica L. Art for an Undivided Earth: The American Indian Movement Generation. Durham, NC: Duke University Press, 2017.

Houle, Robert. New Work by a New Generation. Regina: Norman Mackenzie Art Gallery, 1983.

Mithlo, Nancy, et al. Manifestations New Native Art Criticism. Santa Fe: Museum of Contemporary Native Arts, 2011

_____. Making History: IAIA Museum of Contemporary Native Arts. Albuquerque: University of New Mexico Press, 2021.

Passalacqua, Veronica. Native Art Now!: Developments in Contemporary Native American Art since 1992. Indianapolis: Eiteljorg Museum, 2017.

Vizenor, Gerald. Manifest Manners. Lincoln: University of Nebraska Press, 1999.

Yohe, ‎Jill Ahlberg, Teri Greeves, and ‎Laura Silver. The Hearts of Our People: Native Women Artists. Minneapolis: Minneapolis Institute of Art, 2019.

Norman Akers

Akers, Norman. "Artist Statement." Accessed May 15, 2022. https://normanakers.com/home.html.

La Flesche, Francis. "The Osage Tribe: Rites of the Chiefs; Sayings of the Ancient Men." In Thirty-sixth annual report of the Bureau of American Ethnology, 1914-1915. Washington, D.C.: Government Printing Office, 1921.

Rangel, John Paul. "Mapping Indigenous Space and Place." In Nancy Marie Mithlo. et al. Making History: IAIA Museum of Contemporary Native Arts, 45-74. Albuquerque: University of New Mexico Press, 2021.

Joe Baker

Henkes, Robert. Native American Artists of the Twentieth Century: The Work of 61 Artists. Jefferson, NC: McFarland, 1995.

"Nèk Ansisktayèsàk." Lenape Talking Dictionary. Accessed February 3, 2022, https://www.talk-lenape.org/stories?id=74

Wells, B.A. and K.L. Wells. "First Oklahoma Oil Well." American Oil and Gas Historical Society. April 8, 2022. https://aoghs.org/petroleum-pioneers/first-oklahoma-oil-well/.

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Shonto Begay

Diaz, Rose Mary. "Creative Journeys." Native Peoples, September/October 2004.

Pallas, Amy. "Shonto Begay." Cowboys and Indians, August/September 2014.

"Shonto Begay: First Light." Western Art Collector, August 2011.

"Shonto Begay's Paintings Tell Stories of Contemporary Native American Life." Canyon Road Arts: The Complete Visitors Guide to Arts, Dining and Santa Fe Lifestyle, 2007-08.

"Shonto Begay: Honoring the Past – Painting the Present." Western Art Collector, August 2007.

Sublette, Mark. "Artist Shonto Begay Discusses His Latest Show, "Rhythm of the Blue Highway," Medicine Man Gallery, Tucson, AZ. October 26, 2018. YouTube Video, 28:48. https://www.youtube.com/watch?v=vSNAy1VZEX8

Julie Buffalohead

Abatemarco, Michael. "Animal Dreams: Julie Buffalohead." The New Mexican Magazine, August 17, 2018.

Buffalohead, Julie. Artist Statements. Native American Artists Resource Collection, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, AZ.

De Quintal, Denene. "A Visual Exploration of Ponca Clans, All Eyes on Julie Buffalohead." Denver Art Museum, 2018. :http://www.mediafire.com/file/p3kllagxoxnq9y5/DAM%20Julie%20Buffalohead%20cover%20+%20pages%20FA.pdf

Ginsberg, Lizzi. "Julie Buffalohead on Tricksters, Colonizers, and the State of Native Art." Minneapolis Art Museum. Last modified on July 2, 2019. https://new.artsmia.org/stories/julie-buffalohead-on-tricksters-colonizers-and-the-state-of-native-art

Leedy, Alison. "The Problem of the Indian: Revoking Myths and Creating Oppositional Gazes through Pop Art." Academia.edu. Accessed May 24, 2022. https://www.academia.edu/19680152/The_Problem_of_the_Indian_Revoking_Myths_and_Creating_Oppositional_Gazes_through_Pop_Art

Peterson, C. S. "Personal Narratives and the Eye of the Beholder: Julie Buffalohead at the Denver Art Museum." Fiction Unbound. December 7, 2018. www.fictionunbound.com/blog/personal-narratives-julie-buffalohead

Regan, Sheila. "Julie Buffalohead's Theatre of Animals." Hyperallergic. February 16, 2015. https://hyperallergic.com/182986/julie-buffaloheads-theater-of-animals/

Riddle, Mason. "Julie Buffalohead: Uncommon Stories." First American Art Magazine, no. 5 (Winter 2014): 66.

Smith, Beverly Hall. "Looking at the Masters: Julie Buffalohead." The Chestertown Spy, July 9, 2020. https://chestertownspy.org/2020/07/09/looking-at-the-masters-julie-buffalohead/

Thackara, Tess. "The Hand of Native American Women, Visible at Last." The New York Times. May 31, 2019.

Wilkinson, Wendy. "Art Gallery: Julie Buffalohead." Cowboys and Indians Magazine, June 11, 2019.

Woodward, Judy. "Julie Buffalohead and Her Furry Little Friends Deconstruct the Obvious." Park Bugle, April 22, 2013. https://www.parkbugle.org/julie-buffalohead-and-her-furry-little-friends-deconstruct-the-obvious/.

Esteban Cabeza de Baca

Farris, Phoebe. Women Artists of Color: A Bio-Critical Sourcebook to 20th Century Artists in the Americas. Westport: Greenwood Press, 1999.

Le Guin, Ursula K. "The Carrier Bag Theory of Fiction." In Dancing at the Edge of the World: Thoughts on Words, Women, Places, by Ursula K. Le Guin. New York: Grove Press, 1989.

Cecil Calnimptewa

Pearlman, Zena, et al. Katsina: Commodified and Appropriated Images of Hopi Supernaturals. Los Angeles: UCLA Fowler Museum of Natural History, 2001.

Bassman, Theda. The Kachina Dolls of Cecil Calnimptewa. Tucson: Treasure Chest Publications, 1994.

Erickson, Jon T. Kachinas: An Evolving Hopi Art Form? Phoenix: Heard Museum, 1977.

Clitso Dedman

Vallette, Rebecca M. and Jean-Paul. "The Life and Work of Clitso Dedman, Navajo Woodcarver (1879?-1953)." American Indian Art Magazine 24, no. 2 (Spring 2000): 54-67.

Roosevelt, Theodore. "The Hopi Snake Dance." The Outlook 105 (October 18, 1913): 365-6.

Yatika Starr Fields

ahtone, heather. "Broad Strokes and the Big Picture: Yatika Starr Fields." Dreamcatcher, (November 2014): 12-17.

Fields, Yatika Starr. "Realms and Apparitions." Artist Statement. Joseph Gierek Fine Art, Tulsa, OK, 2019. Native American Artists Resource Collection, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, AZ.

_____. Moving Through the Earth and Heavens. Artist Statement, 2007. Native American Artists Resource Collection, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, AZ.

"Pickens Museum and NOC Announce Mural by Osage Artist Yatika Starr Fields," North Central Oklahoma: A Center for Murals, May 6, 2021. Native American Artists Resource Collection, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, AZ.

Harry Fonseca

Büken, Gülriz. "Construction of the Mythic Indian in Mainstream Media and the Demystification of the Stereotype by American Indian Artists." American Studies International 40, no. 3 (2002): 46–56. http://www.jstor.org/stable/41279925.

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books, 1990.

Ringlero, Aleta M. "Harry Fonseca: In Your Face, In His Element." In Into the Fray, The Eiteljorg Fellowship for Native American Fine Art J, edited by James H. Nottage. Seattle and London: University of Washington Press and Indianapolis: Eiteljorg Museum of American Indians and Western Art, 2005.

_____. "Harry Fonseca." American Indian Magazine 6, no. 1 (Spring 2005): 52-56.

Raven Halfmoon

Armstrong, Annie. "Raven Halfmoon On Toeing the Line Between Her Caddo Heritage and TikTok." Garage Magazine, January 8, 2021. https://garage.vice.com/en_us/article/5dpw8b/raven-halfmoon-on-toeing-the-line-between-her-caddo-heritage-and-tik-tok.

Keane, Laisun. "Virtual Opening Reception for Raven Halfmoon: Rumination in Isolation." Laisun Keane Gallery. May 22, 2020. YouTube Video, 46:43. https://www.youtube.com/watch?v=_N7z-F_hBPc.

Thrift, Nigel. "Understanding the Material Practice of Glamour." In The Affect Theory Reader, edited by Melissa Gregg and Gregory J, 289-308. Seigworth. Durham: The Duke University Press, 2010.

Allan Houser

Belgodere, Jeannine. "The Purpose of Art: Intelligent Dialogue or Mere Decoration?" Anafora 3, no. 2 (2016): 243-256. https://hrcak.srce.hr/174174.

Bernstein, Bruce. "Expected Evolution: The Changing Continuum." In Shapeshifting: Transformations in Native American Art, edited by Karen Kramer, 30-43. Salem, MA: Peabody Essex Museum, 2012.

Momaday, N. Scott. "The Testament of Allan Houser," in Native Modernism: The Art of George Morrison and Allan Houser, edited by Truman T. Lowe, 66-77. Washington, D. C.: National Museum of the American Indian, Smithsonian Institution, 2004.

Perlman, Barbara H. Allan Houser (Ha-O-Zous). Santa Fe, NM: Glenn Green Galleries, 1987.

Rushing, W. Jackson, III. "Modern Spirits: The Legacy of Allan Houser and George Morrison." In Essays on Native Modernism, Complexity and Contradiction in American Indian Art, 53-68. Washington, D.C. and New York: National Museum of the American Indian, Smithsonian Institution, 2006.

______. Allan Houser, an American Master. New York: Harry N. Abrams, 2004.

Tremblay, Gail, "Different Paths, Tracks Worth Following." In Native Modernism: The Art of George Morrison and Allan Houser, edited by Truman T. Lowe, 78-93. Seattle: University of Washington Press, 2004.

Susan Hudson

Monroe, Rachel, "The Delay: How the Kidnaping and Murder of Ashlynne Mike Changed Our Country's Amber Alert Protocols." Esquire, April 18, 2018, https://www.esquire.com/news-politics/a19561163/ashlynne-mike-amber-alert-navajo-reservation/.

"Susan Hudson." Craft in America. Accessed May 4, 2022. https://www.craftinamerica.org/artist/susan-hudson

Brad Kahlhamer

Krane, Susan. Let's Walk West: Brad Kahlhamer. Scottsdale, AZ: Scottsdale Museum of Contemporary Art, 2005.

Sasse, Julie. Brad Kahlhamer: 11:59 to Tucson. Tuscon, AZ: Tuscon Museum of Art, 2022.

"Why We Exist." Nakota Horse Conservancy. Accessed June 21, 2022 http://www.nokotahorse.org/why-we-exist.html

Eastman, Charles E. Indian Heroes and Great Chieftains. Boston: Little, Brown, and Company, 1918.

Judith Lowry

Lippard, Lucy. Illuminations: Paintings by Judith Lowry. Santa Fe: Wheelwright Museum of the American Indian, 1999.

Dobkins, Rebecca J. "The Work and Influence of Maidu Painter Frank Day," in American Indian Art Magazine 23, no. 4 (Autumn 1998): 55-68.

Cannupa Hanska Luger

Ali, Reyan. "Mixed-media artist Cannupa Hanska takes over Eggman & Walrus Tonight." Santa Fe Reporter, August 19 2011.

"Cannupa Hanska Luger." Blue Rain Gallery, promotional brochure, nd. Native American Art Resource Collection, Heard Museum, Billie Jane Baguley Library and Archives, Phoenix, AZ

Garth Greenan Gallery. "Cannupa Hanska Luger: New Myths." Garth Greenan Gallery press release, September 2021. On the Garth Greenan Gallery website. https://www.garthgreenan.com/exhibitions/cannupa-hanska-luger-new-myth/press-release.

Davis, Kathryn M., "Deconstructing Coyote: Thanksgiving in the Southwest." THE Magazine 22, no. 6 (December/January 2014-15): 55.

Escudero, Nikki. "New Never Neverland." Western Art Collector, no. 96 (August 2015): 80-85.

Hoel, Hannah. "Cannupa Hanska Luger: First Impressed Us with His Beguiling Show." THE Magazine 22, no. 5 (October 2014) 59.

Hunt, Joshua. "Cannupa Hanska Luger Is Turning the Tables on the Art World." The New York Times, June 16, 2022.

La Palma, Marina. "Cannupa Hanska Luger: Stereotype: Misconceptions of the Native American." THE Magazine 21 no. 4 (October 2013): 50.

Snyder, Gail. "Cannupa." Local Flavor Magazine, August 2012.

Weideman, Paul. "Culture For Sale: 'Collection vs. Capture.'" Pasatiempo, August 21-27, 2015..

Wesley, Micah. "Micah Wesley Interviews Cannupa Hanska Luger." Contemporary Native Art Magazine, no. 1 (August 2013): 19-24.

Norval Morrisseau

Morrisseau, Norval. Legends of My People, The Great Ojibway. New York: The Ryerson Press, 1977.

Hill, Greg A. et al. Norval Morrisseau: Shaman Artist. Ottawa: National Gallery of Canada, 2006.

George Morrison

Alloway, Lawrence. "The American Sublime." In Topics in American Art Since 1945. New York: W. W. Norton & Company, 1975.

Essays on Native Modernism: Complexity and Contradiction in American Indian Art. Washington D.C.: National Museum of the American Indian, Smithsonian Institution, 2006.

Galt, Margot Fortunato and George Morrison. Turning the Feather Around: My Life in Art. St. Paul, MN.: Minnesota Historical Society Press, 1998.

Lowe, Truman T., ed. Native Modernism: The Art of George Morrison and Allan Houser. Seattle: University of Washington Press, 2004.

Townsend-Gault, Charlotte, Emma Townsend-Gault, and Ben Winton, Eds. Contemporary Masters: Eiteljorg Fellowship for Native American Fine Art. Vol. 1. Indianapolis: Eiteljorg Museum of American Indian and Western Art, 1999.

Rushing, W. Jackson III and Kristin Makholm. Modern Spirit: The Art of George Morrison. Norman, OK.: University of Oklahoma Press and Minnesota Museum of American Art, 2013.

_____. "George Morrison's Surrealism." Journal of Surrealism in the Americas 7, no. 1 (2013), 1-18.

Marianne Nicolson

Nicolson, Marianne. "Starting from the Beginning." In Native Art of the Northwest Coast: A History of Changing Ideas, edited by Charlotte Townsend-Gault, Jennifer Kramer, and Ḳi-ḳe-in. Vancouver: UBC Press, 2013.

Smith, Matthew Ryan. "Dzawada'enuxw Interdisciplinary Artist and Educator Marianne Nicolson, PhD." In First American Art Magazine (Summer 2016): 59-65.

Smetzer, Megan A. Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience. Seattle: University of Washington Press, 2021.

Townsend-Gault, Charlotte, Lisa Baldissera, and Marianne Nicolson, Marianne Nicolson: The Return of Abundance. Victoria: Art Gallery of Greater Victoria, 2007.

Fritz Scholder

Gardner, Andrew. "Why Fritz Scholder Was One of Few Native Artists to Break into the American Mainstream." Artsy. December 18, 2017. www.artsy-net/article/artsy-editorial.

National Museum of the American Indian. "A Surprising Portrait of Fritz Scholder, the Nation's Most Celebrated Native American Artist Opens in New York." National Museum of the American Indian press release, September 5, 2008. On the National Museum of the American Indian website. https://www.si.edu/newsdesk/releases/surprising-portrait-fritz-scholder-nation-s-most-celebrated-native-american-artist-opens-ne.

Ringlero, Aleta M. "Fritz Scholder: The Enigma." American Indian Magazine 9, no. 3 (Fall 2008): 16-24, 62.

Smith, Laura E. "Fritz Scholder: Indian/Not Indian." Museum Anthropology Review 4, no. 1 (Spring, 2010).

Taylor, Joshua C., William Peterson, R. Andrew Maass, Rudy H. Turk. Fritz Scholder. New York: Rizzoli International Publications, Inc., 1982.

Touchette, Charlene. "Fritz Scholder." In NDN Art: Contemporary Native American Art. Albuquerque, NM: Fresco Fine Art Publications, 2003.

Rose B. Simpson

Collier, Angie. "Rose Bean Simpson - Santa Clara Pueblo." Cotemporary North American Indigenous Artists, Winter 2011. https://contemporarynativeartists.tumblr.com/post/39391980928.

Diaz, Rose Mary. "Native Innovator: Rose Simpso.," New Mexico Magazine, August 2012.

Finkel, Jori. "Rose B. Simpson Thinks in Clay." The New York Times. June 16, 2022.

Metcalfe, Jessica R. "Rose Bean Simpson." Red Ink 14, no. 1 (Spring 2008): 73-83.

Montiel, Anya. "Rose Bean Simpson: Pueblo Multimedia Artist Challenges the Viewer to Think Differently About Gender, Ethnicity and Culture." American Indian Magazine (Fall 2009): 14-19.

Nielsen, Richard. "Talent for Pottery Runs in the Family." Arizona Republic, January 25, 2009.

Shoemaker, Peter B.G. "On Site: Rose B. Simpson Talks About One of Her Most Important Mentors: SITE, Santa Fe." New Mexico Magazine, June 2015.

Simpson, Rose B. "My Mother, The Builder," New Mexico Magazine 98, no. 7 (Jul 2020): 34-39.

Duane Slick

Klein, Richard. Duane Slick: The Coyote Makes the Sunset Better. Ridgefield, CT: The Aldrich Contemporary Art Museum, 2022.

Chan, Dawn. “At the Aldrich Museum, the Coyote Takes the Lead.” The New York Times, April 14, 2022.

Slick, Duane. “The Untraceable Present.” 2010. http://www.duaneslickstudios.com/pages/writings/SAR.html

Jaune Quick-to-See Smith

Abbott, Lawrence, ed. I Stand in the Center of the Good: Interviews with Contemporary Native American Artists. Nebraska: University of Nebraska Press, 1994.

Farris, Phoebe. Women Artists of Color: A Bio-Critical Sourcebook to 20th Century Artists in the Americas. Westport: Greenwood Press, 1999.

Kastner, Carolyn. Juane Quick-to-See Smith: An American Modernist. Albuquerque: University of New Mexico Press, 2013.

Smith, Jaune Quick-to-See and Harmony Hammond. Women of Sweetgrass, Cedar, and Sage. New York: Gallery of the American Indian Community House, 1985.

Kay WalkingStick

Abbott, Lawrence, ed. I Stand in the Center of the Good: Interviews with Contemporary Native American Artists. Nebraska: University of Nebraska Press, 1994.

Ash-Milby, Kathleen and David W. Penney. Kay WalkingStick: An American Artist. Washington, D.C.: Smithsonian Books, 2015.

Cotter, Holland, et al. Kay WalkingStick: Paintings 1974-1990. Brookville, NY: Hillswood Art Museum, Long Island University, 1991.

Grand, Stanley I. Kay WalkingStick: Mythic Dances. Cape Girardeau, MO: Southeast Missouri Regional Museum, 2004.

WalkingStick, Kay. "Native American Art in the Postmodern Era." Art Journal 51, no. 3 (Autumn 1992): 15-17.

WalkingStick, Kay. "Seeking the Spiritual." In Native American Art in the Twentieth Cenutry, edited by W. Jackson Rushing III. New York: Routledge, 1999.

Dyani WhiteHawk

Ash-Milby, Kathleen. "Speaking the Language of Abstraction: Dyani White Hawk." In Dyani White Hawk: Speaking to Relatives, edited by Jade Powers. Kansas City, MO: Kemper Museum of Contemporary Art, 2021.

Horse Capture, Joe. "Curator's Circle Salon: Dyani White Hawk." Autry Vision. February 12, 2021. https://www.youtube.com/watch?v=g9MR359Lntg

"Tapun Sa Win." Center for American Indian Research and Native Studies (CAIRNS). Accessed July 21, 2022. https://www.nativecairns.org/projects/leap/tapun-sa-win/tapunsawinnarrative.html.

Walt Wooten

Fauntleroy, Gussie. "Walt Wooten | Confronting Convention." Southwest Art Magazine, December 15, 2010. https://www.southwestart.com/featured/walt-wooten-confronting-convention.

McGrath, Robert L., The Artful Indians of Walt Wooten, Phoenix, AZ: The Heard Museum, 2004. Native American Artist Resource Collection, Heard Museum of Native Cultures and Art, Billie Jane Baguley Library and Archives, Phoenix, AZ.

Lawrence Paul Yuxweluptun

Karen Duffek and Tania Willard. Lawrence Paul Yuxweluptun: Unceded Territories. Vancouver: Museum of Anthropology, 2016.

Ryan, Allan J. "Postmodern Parody : A Political Strategy in Contemporary Canadian Native Art." In Art Journal 51, no. 3 (Autumn 1992): 59-65.

Ryan, Allan J. The Trickster Shift: Humor and Irony in Contemporary Native American Art. Vancouver: University of British Columbia Press, 1999.

McMaster, Gerald. Indigena: Contemporary Native Perspectives. Vancouver: Douglas & McIntyre, 1992.

Townsend-Gault, Charlotte. "Art Claims in the Age of Delgamuukw." In Native Art of the Northwest Coast: A History of Changing Ideas, edited by Charlotte Townsend Gualt, Jennifer Kramer, and Ḳi-ḳe-in. Vancouver: UBC Press, 2013.